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When Kleber Mendonça Filho’s last film was at the Cannes Film Festival, its resonance with Brazil’s political turmoil was uncanny. In “Aquarius”, a 65-year-old woman is being forced out of her home by patriarchal property developers just as the nation was watching 65-year-old President Dilma Rousseff being prised from power by the men at the conservative centre of Brazilian politics.
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